Same film, different format - The Australian Daybill versus the One Sheet


If you have spent some time on the site, my love of Australian paper is no secret.

I have enjoyed pulling together a collection which showcases the various styles for advertising a film in Australia.

And I am not the only one.

With the help of some fellow collectors and countless years perusing the internet, I bring you the daybill versus the one sheet.

 

1930s - 1940s
1950s
1960s Onwards

 

1930s - 1940s

 

The Scarlet Pimpernel, re-release
(1934)

 

 

A Woman Rebels
(1936)

 

 

Sing you Sinners
(1938)

 

 

The Citadel, re-release daybill
(1938)

 

 

The Last Express
(1938)

One Sheet image courtesy Chris Moore

 

 

Gone To The Dogs
(1939)

 

 

 

My Wife's Relatives
(1939)

 

 

Risky Business
(1939)

 

 

Tower of London
(1939)

 

 

Wolf of New York
(1940)

One Sheet image courtesy Chris Moore

 

 

Bahama Passage
(1941)

One Sheet image courtesy Wil Wright, filmpostergallery.co.nz

 

 

Glamour Boy
(1941)

 

 

Mr Bug Goes to Town
(1941)

 

 

Rage In Heaven
(1941)

 

 

The Devil Pays Off
(1941)

Daybill image courtesy Chris Moore

 

 

Unholy Partners
(1941)

 

 

 

Wild Geese Calling
(1941)

 

 

Mrs Miniver
(1942)

 

 

The Forest Rangers
(1942)

 

 

This Above All
(1942)

 

 

Woman of the Year
(1942)

 

You're Tellin I
(1942)

 

Action in the North Atlantic
(1943)

Daybill and One Sheet image courtesy Chris Moore

 

 

Air Raid Wardens
(1943)

 

 

Du Barry Was A Lady
(1943)

 

For Whom the Bell Tolls
(1943)

 

Phantom of the Opera
(1943)

 

Ministry of Fear
(1944)

One Sheet image courtesy Chris Moore

 

 

To Have and Have Not
(1944)

One Sheet image courtesy Chris Moore

 

Ghost Gatchers
(1944)

 

 

The Suspect
(1944)

 

Thirty Seconds Over Tokyo
(1944)

 

Fallen Angel
(1943)

Daybill and One Sheet images courtesy Chris Moore

 

Scarlet Street
(1943)

Daybill and One Sheet images courtesy Chris Moore

 

Behind City Lights
(1945)

Daybill image courtesy Chris Moore

 

Man Alive
(1945)

 

Scotland Yard Investigator
(1945)

 

 

Ziegfield Follies
(1945)

 

 

The Big Sleep
(1946)

 

The Spiral Staircase
(1946)
 

 

They Made Me a Killer
(1946)

Daybill image courtesy Chris Moore

 

 

 

Dead of Night
(1946)

 

 

Don't Gamble with Strangers
(1946)

Daybill image courtesy Chris Moore

 

Humoresque
(1946)

 

Magnificent Lady
(1946)

 

 

Miss Susie Slagle's
(1946)

 

Step by Step
(1946)

 

The Blue Dahlia
(1946)

 

The Chase
(1946)

 

The Postman Always Rings Twice
(1946)

 

The Strange Love of Martha Ivers
(1946)

 

Undercurrent
(1946)

 

Young Widow
(1946)

 

Body and Soul
(1947)

Daybill image courtesy Chris Moore

 

 

Brute Force
(1947)

Daybill and One Sheet images courtesy Chris Moore

 

 

I Walk Alone
(1947)

One Sheet image courtesy Chris Moore

 

Kiss of Death
(1947)
Daybill image courtesy Chris Moore

 

Lady in the Lake
(1947)

Daybill image courtesy Chris Moore

 

 

Ride the Pink Horse
(1947)

One Sheet image courtesy Chris Moore

 

Roses Are Red
(1947)

Daybill image courtesy Chris Moore

 

 

The Brasher Doubloon
(1947)

Daybill image courtesy Chris Moore

 

T-Men
(1947)

Daybill image courtesy Chris Moore

 

 

Adventure Island
(1947)

 

 

Cynthia
(1947)

 

 

Green Dolphin Street
(1947)

 

I Cover Big Town
(1947)

 

 

Nicholas Nickleby
(1947)

 

Singapore
(1947)

 

 

The Crimson Key
(1947)

Daybill image courtesy Chris Moore

 

 

The Ghost and Mrs Muir
(1947)

One Sheet image courtesy Matt Kerr

 

 

The Web
(1947)

 

 

He Walked By Night
(1948)

One Sheet image courtesy Chris Moore
 

 

Night Has A Thousand Eyes
(1948)

Daybill image courtesy Chris Moore

 

Hollow Triumph
(1948)

Daybill and One Sheet image courtesy Chris Moore

 

 

Cry of the City
(1948)

 

Inner Sanctum
(1948)

Daybill image courtesy Chris Moore

 

 

Isn't It Romantic
(1948)

 

 

Sorry, Wrong Number
(1948)

One Sheet image courtesy Chris Moore

 

 

The Big Clock
(1948)

One Sheet image courtesy Chris Moore

 

The Paleface
(1948)

 

 

The Street With No Name
(1948)

 

Criss Cross
(1949)

 

 

House of Strangers
(1949)

One Sheet image courtesy Chris Moore

 

 

Too Late for Tears
(1949)

Daybill and One Sheet images courtesy Chris Moore

 

 

The Red Danube
(1949)

 

 

The Window
(1949)

 

   

 

The Woman on Pier 13
(1949)

 

 

 

 

 

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